成長於西雅圖的Damien Jurado，在美國一脈相承、淵遠流長的Singer/Songwriter樂派中是近年來少數在樂評、樂迷兩端都深獲愛戴的杰出歌者。八零年代末期打轉於西雅圖本地的音樂場景之間，曾經組過名為Coolidge的龐克樂隊，這支樂隊沒能趕上Grunge風潮就先行解散，但除了 Damien Jurado日后自立門戶闖出一片天地之外，當時樂隊里的成員David Bazan也在十幾年后成了美國當紅另類團體 Pedro the Lion的主腦人物。 Nick Drake對於Damien Jurado的影響可在他們一樣善感的唱腔與清爽明亮的吉他指法間找到參考點，而除了來自大西洋對岸的音樂啟蒙，美國本土的幾張音樂神主牌如Bob Dylan、Lou Reed或Neil Young也都是評論Damien Jurado的音樂時經常被提起的名字。至於已經過世的同輩歌手Elliott Smith，或是同廠的優質民謠團體Iron and Wine也都在Damien Jurado的創作歷程中扮演著亦師亦友的重要角色。 經過同樣來自西雅圖的樂團Sunny Day Real Estate的主唱引薦，Damien Jurado於九零年代末期加盟Sub Pop展開了精彩的創作生涯，直至零三年才離開Sub Pop轉投Secretly Canadian廠下 Urban folk singer/songwriter Damien Jurado quietly built up one of the strongest catalogs on the indie scene, earning high critical praise yet somehow never quite getting his proper due. Nick Drake had a definite impact on much of his work, but Jurado modeled his career on more idiosyncratic, unpredictable figures like Neil Young, Bob Dylan, Lou Reed, or Randy Newman — songwriters who followed their own muse wherever it took them, whether fans and critics agreed or not. His independent-mindedness was born at least in part from the influence of punk, and one of the results was a concern for emotional authenticity that led him to delve into other people's lives instead of his own. Many of Jurado's best songs spun concise, literate tales of quiet everyday despair, which often earned him comparisons to short story writer Raymond Carver. But his storytelling bent — not to mention his ambivalence toward confessional material — arose from a stronger grounding in traditional folk than spiritual compatriots like Elliott Smith or Cat Power. And with detours into pop, roots rock, full-fledged electric indie rock, and even found-sound experiments, Jurado ensured that his body of work was impossible to completely pin down. A lifelong native of Seattle, Jurado started playing in a succession of local punk bands in 1989. One of them, the Christian-tinged Coolidge, also featured future Pedro the Lion mastermind David Bazan, and eventually had a track featured on the Tooth & Nail label's Christian punk/emo compilation I'm Your Biggest Fan, Vol. 1. Meanwhile, Jurado began to explore the solo route during the mid-'90s, writing simple folk-based tunes and releasing them on his own cassette-only label, Casa Recordings. Leaded, Trailer Park Radio, and Gasoline all helped create a local cult following for Jurado, and he found an influential fan in fellow Christian and Sunny Day Real Estate singer Jeremy Enigk, who brought him to the attention of Sub Pop. After two 7" releases on Sub Pop, "Motorbike" and "Trampoline," Jurado issued his proper debut album, Waters Ave S., in 1997, and followed it with a spare, home-recorded EP for Made in Mexico, Gathered in Song, a year later. Jurado's sophomore effort was also his breakthrough; released in 1999, the excellent Rehearsals for Departure established him as a singer/songwriter of tremendous subtlety and skill, and won near-universal critical acclaim. Jurado's rootsy, minimalist folk-pop and fragile vocals pulled listeners in close, and his knack for a memorable hook kept them there. For his next move, Jurado confounded fans and critics alike with 2000's Postcards and Audio Letters, a compilation of conversation fragments found on the audio cassettes that Jurado collected obsessively (from sources like thrift-store boom boxes and answering machines) and often used for songwriting inspiration. The proper follow-up to Rehearsals for Departure was Ghost of David, issued on Sub Pop later in 2000. While it hewed mostly to the style of Rehearsals, it also dabbled in some of the found-sound collage aspects of Postcards, and wound up somewhat darker and more alien. Jurado next turned to the Burnt Toast label to issue the one-off EP Four Songs in 2001, then formed a full band dubbed Gathered in Song for a change of pace from his typically mellow style. Featuring guitarist Eric Fisher, bassist Josh Golden, and drummer Andy Myers (all of whom played more than one instrument), Gathered in Song debuted on Jurado's next album, 2002's fully electrified I Break Chairs. Audiences expecting another moody, late-night urban folk outing were thrown for a loop; some critics felt that Jurado was better off sticking to what he did best, while others found the transition not only convincing, but surprisingly varied and well-crafted. Jurado subsequently parted ways with Sub Pop, looking to scale back his recording and touring activities in order to spend more time with his family and, to a lesser degree, his day job as a preschool teacher. He landed on the Indiana-based Secretly Canadian label, for whom he debuted in 2003 with Where Shall You Take Me?, a return to his trademark low-key folk-ballad style. In typical fashion, he followed it with an EP for a smaller label (Acuarela), titled Holding His Breath. A year later, he returned to Secretly Canadian for another EP, Just in Time for Something; early in 2005 his next full-length, On My Way to Absence, arrived. Jurado continued to keep busy with And Now That I'm in Your Shadow, a spare, hushed collection of songs that arrived late in 2006; early the following year, Gathered in Song was reissued with bonus tracks. 更多>>